Matthew 17:14-20 – HOW TO ADJUST YOUR FOCUS
“Life is like a camera. Focus on what’s important. Develop from the negatives and if things don’t work out, take another shot.”
Recorded in brilliant failure, Matthew 17:16 is a digital snapshot the disciples would rather have erased from the memory card. The colours are too dark, and there are no finely focused images of a miracle, just the indistinct madness of an ill-conceived attempt. When the disciples can’t cast out a demon from a boy, Jesus tells them that they “don’t have enough FAITH” (Matthew 17:20 NLT). In Mark 9:28-29 (NLT) Jesus adds “This kind can be cast out only by PRAYER.”
Faith and prayer, like the interplay between field of focus and the aperture, are both needed to obtain the right exposure to God’s light for a healing miracle to occur. The disciples depth of faith was far too shallow, much too close to the Scribes, focused on their arguments, accentuating their negativity and blurring the little boy’s needs into the background.
They had needed more light that day. They did not allow God to adjust the aperture of faith to even the size of a mustard seed to obtain enough light to expose this little boy to the love of Jesus. Their image was far from perfect.
DEPTH OF FAITH
As Jesus came down from the mountain He framed a different picture of all that was happening in a deep depth of faith. Everything was in focus, the argument with the Scribes, the crowd, the failure of the disciples, the faith of the father and the boy who needed healing. He saw the scene with absolute clarity.
The paparazzi crowd zoomed in on Jesus and away from the negative image of the argument, focusing their lenses on the celebrity of Jesus. The Son is the best light source of all. Rich and warm, His light brings out the best colours in everyone, but also highlights the strong shadows of darkness in the scribes and boy; the demonic shapes, long and sinister. The contrast is striking.
Then darkness suddenly flees as the demon is fully exposed to a blinding flash of light! Abruptly the shadows vanish and the image of a bright little boy appears, alive and well for all to see. The crowd is in awe at the picture of health they see. What had looked obscure and shadowy is now a beautifully balanced image of a boy, correctly exposed to the saving power of Jesus. Miracles are all about light. They marvel in the presence of Jesus, Master of Light and Life.
THE APERTURE (Faith)
Each person is a lens with their own maximum and minimum aperture setting (faith). Jesus invites me to use the widest aperture to let in as much of the light from God’s Word as possible. Otherwise, I will experience an underexposed life.
ISO SPEED (Inner Sensitivity Opportunity)
At its simplest level, the Faith Aperture is an opening in my perception the size of a mustard seed. When God’s illumination passes through that opening, it shines on a light-sensitive heart that absorbs the light and captures the image of the Son of God within. The ISO speed (the Inner Sensitivity Opportunity) controls the sensitivity of my heart. The higher the ISO speed, the more sensitive the heart is to the light of God’s Word and the message of Christ. As these settings are adjusted to different circumstances I can get clarity and focus for perceiving my world through the eyes of God.
FOCUS AND LENS (Perception)
Life is all about capturing light. It is received in faith. When I manually seek to control my world some circumstances will be in focus, crisp and clear, while others will be out of focus, blurry and confusing. As I allow the light of Christ to fill my life there are many ways that God automatically allows my perception sensors, through the power of His Holy Spirit, to detect, track and adjust my faith focus in the situations that I face each day. His invitation is to bring light and life and focus to your life.
He moves in closer like a big cat, stepping lightly and with careful intent, zooming in on His subject. He wants to capture every detail, the peppered freckles, the curve of the mouth, the twist of hair in the breeze.
The intersecting lines of the viewfinder are poised and the autofocus is locked onto His subject. Playing with the early light, the background trees splash soft, subdued nuances of colour upon the scene. And in that split second when everything is resolved, His finger instinctively finds the shutter release and presses. The sound of the shutter sings in the silence, and a split second of time digitally replicates itself, irrevocably remembered and beautiful.